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Given its affinity with questions of identity, autobiography offers a way into the interior space between author and reader, especially when writers define themselves in terms of religion. In his exploration of this -textual intimacy, - Wesley Kort begins with a theorization of what it means to say who one is and how one's self-account as a religious person stands in relation to other forms of self-identification. He then provides a critical analysis of autobiographical texts by nine contemporary American writers--including Maya Angelou, Philip Roth, and Anne Lamott--who give religion a...

Given its affinity with questions of identity, autobiography offers a way into the interior space between author and reader, especially when writers define themselves in terms of religion. In his exploration of this -textual intimacy, - Wesley Kort begins with a theorization of what it means to say who one is and how one's self-account as a religious person stands in relation to other forms of self-identification. He then provides a critical analysis of autobiographical texts by nine contemporary American writers--including Maya Angelou, Philip Roth, and Anne Lamott--who give religion a...

In this analysis of theological conflict, Wesley Kort treats theologies as discourses that generate power and significance by their relations to and differences from one another. He identifies the traditional or putative claims of theological power and meaning--sources, referents, and patterns or structures--as distractions from or even concealments of the discursive situation in which theologies arise.

Kort first describes the dynamics of difference and conflicts constituted by theologies and the importance of power for opposing theologies. He provides a model that demonstrates why...