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Even as orchestras, performers, enthusiasts, and critics across the nation--and across the globe--celebrate the one-hundredth anniversary of his birth, George Gershwin (1898-1937) remains one of America's most popular yet least appreciated composers. True, he is loved and revered for his wonderful popular songs, a few instrumental works, and the majestic opera Porgy and Bess. But most of his music is virtually unknown; hundreds of compositions, Broadway show tunes, and even several large and important instrumental works are gradually disappearing with the generations that first heard...

The contributors to this work address how the environmentalist Henry David Thoreau and his successors attempted to cope with the epistemological split between the perceiver and place inherent in writing about nature. They discuss the kinds of discourse most effective for writing about place.