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This book is concerned with the idea of character and the methods of representing it in ancient and medieval narrative fiction, and shows how late classical and medieval authors adopted techniques and perspectives from rhetoric, philosophy, and sometimes theology to fashion figures who define not only themselves but also their readers.

Two features distinguish the Canterbury Tales from other medieval collections of stories: the interplay among the pilgrims and the manner in which the stories fit their narrators. In his new book, Warren Ginsberg argues that Chaucer often linked tellers and tales by recasting a coordinating idea or set of concerns in each of the blocks of text that make up a 'Canterbury' performance. For the Clerk, the idea is transition, for the Merchant it is revision and reticence, for the Miller it is repetition, for the Franklin it is interruption and elision, for the Wife of Bath it is self-authorship,...