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What is tradition? Does it have a role in the performance of Western art music? Do musical recordings speak of tradition? And how can we use them to trace stylistic transmission and change in different cultural-historical contexts of performance? These are the main questions that concern this book. Using Grieg's piano music as a case study, the author examines how tradition affords agency and how performers actively reinterpret the musical past. By employing a range of empirical methods, including both quantitative and qualitative analytical approaches, this book investigates the tension...