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Lebeau examines the long and uneven history of developments in modern art, science, and technology that brought pychoanalysis and the cinema together towards the end of the nineteenth century. She explores the subsequent encounters between the two: the seductions of psychoanalysis and cinema as converging, though distinct, ways of talking about dream and desire, image and illusion, shock, and sexuality. Beginning with Freud's encounter with the spectacle of hysteria on display in fin-de-siecle Paris, this study offers a detailed reading of the texts and concepts which generated the field of...

Re-reading Freud's writing on femininity, fantasy and social identification, Lost Angels expands the psychoanalytic framework within which contemporary debates regarding fantasy and spectatorship have been taking place.

Vicky Lebeau takes Freud's preoccupation with femininity and feminine fantasy as her starting point and goes on to explore his differentiation between masculine and feminine forms of fantasy through feminist and critical theories of spectatorship and cinema.

Investigating how psychoanalysis explains fantasy as a form of preoccupation which cuts across...

Re-reading Freud's writing on femininity, fantasy and social identification, Lost Angels expands the psychoanalytic framework within which contemporary debates regarding fantasy and spectatorship have been taking place. Vicky Lebeau takes Freud's preoccupation with femininity and feminine fantasy as her starting point and goes on to explore his differentiation between masculine and feminine forms of fantasy through feminist and critical theories of spectatorship and cinema.