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The mixing of representational modes in handling the medium of Photography has become a prevalent working method in contemporary practice. Renderings that seemingly have pertinence to both the contrived image and the snapshot provoke a particular oscillation in the spectators mind that is productive of ambiguity. This ambivalence between the realms of this-has-happened and this-could-not-have-happened places the viewer within a mode of perceptual multistability. Giving equal importance to the material condition of a photographs production (the photo-effectic mode) with that of its aesthetic...

Autobiographical memory and photography have been inextricably linked since the first photographs appeared during the 19th century. These links have often been described from each other's discipline in ways that often have led to misunderstandings about the complex relationships between them. The Handbook of Research on the Relationship Between Autobiographical Memory and Photography covers many aspects of the multiple relationships between autobiographical memory and photography such as the idea that memory and photography can be seen as forms of mental time and the effect photography...