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The Political Poetess challenges familiar accounts of the figure of the nineteenth-century Poetess, offering new readings of Poetess performance and criticism. In performing the Poetry of Woman, the mythic Poetess has long staked her claims as a creature of "separate spheres"--one exempt from emerging readings of nineteenth-century women's political poetics. Turning such assumptions on their heads, Tricia Lootens models a nineteenth-century domestic or private sphere whose imaginary, apolitical heart is also the heart of nation and empire, and, as revisionist histories increasingly...

In Lost Saints Tricia Lootens argues that parallels betwee literary and religious canons are far deeper than has yet been realized. She presents the ideological underpinnings of Victorian literary canonization and the general processes by which it occurred and discloses the unacknowledged traces of canonization at work today. Literary legends have accorded canonicity to women writers such as Felicia Hemans, Elizabeth Barrett Browning, and Christina Rossetti, she contends, but often at the cost of discounting their claims as serious poets.

Through case studies of the canonization of...