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Using the Rorschach inkblots as metaphors, conjuring the wondrous and the monstrous in his poems, Toby Fitch brings a new vision and shape to Australian poetry. Old modes of expression - such as the mythic, the romantic, the symbolic and the surreal - are revived and reshaped in poems that mythologies love, anxiety, the self and city living, dovetailing inner and outer worlds with a healthy antipodean dose of absinthe and concrete poetry.

 

"Toby Fitch's title sequence from Rawshock opens onto hell - and onto a Eurydice who seems more knowing than she used to,...