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Seine Filme testen die Grenzen des Kinos und mischen dokumentarische Formen und Elemente des Spielfilms zu einer sthetischen Form, die Alexander Kluge einmal als Echolot-Verfahren beschrieben hat. Wie eine Sonde senkt Karmakar die Kamera bzw. seine Schauspieler und Darsteller in die Abgrnde der Geschichte hinab, um diese auszuloten.

This book explores docudrama as a creative response to troubled times. With generic characteristics formed via traditions in theatre as well as film, and with claims to fact underscored by investigative journalism, television docudrama examines key events and personalities in unfolding national histories. Post-Fall of the Berlin Wall, docudrama has become a means for nations to work through traumatic experiences both within national borders and Europe-wide. In this regard, it is an important genre for television networks as they attempt to make sense of complex current events. These authors...