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This collection of papers examines the evolving relationship between the motion picture industry and television from the 1940s onwards. The institutional and technological histories of the film and TV industries are looked at, concluding that Hollywood and television had a symbiotic relationship from the start. Aspects covered include the movement of audiences, the rise of the independent producer, the introduction of colour and the emergence of network structure, cable TV and video recorders. Originally published in 1990.

Hollywood is facing unprecedented challenges a and is changing rapidly and radically as a result. In this major new study of the contemporary film industry, leading film historian Tino Balio explores the impact of the Internet, declining DVD sales and changing consumer spending habits on the way Hollywood conducts its business. Today, the major studios play an insignificant role in the bottom lines of their conglomerate parents and have fled to safety, relying on big-budget tentpoles, franchises and family films to reach their target audiences. Comprehensive, compelling and filled with...

Largely shut out of American theaters since the 1920s, foreign films such as Open City, Bicycle Thief, Rashomon, The Seventh Seal, Breathless, La Dolce Vita and L'Avventura played after World War II in a growing number of art houses around the country and created a small but influential art film market devoted to the acquisition, distribution, and exhibition of foreign-language and English-language films produced abroad. Nurtured by successive waves of imports from Italy, Great Britain, France, Sweden, Japan, and the Soviet Bloc, the...

This collection of papers examines the evolving relationship between the motion picture industry and television from the 1940s onwards. The institutional and technological histories of the film and TV industries are looked at, concluding that Hollywood and television had a symbiotic relationship from the start. Aspects covered include the movement of audiences, the rise of the independent producer, the introduction of colour and the emergence of network structure, cable TV and video recorders. Originally published in 1990.

The 1942 smash musical hit "Yankee Doodle Dandy" has long remained a favorite among audiences and film buffs. Ostensibly the story of "Mr. Broadway"--George M. Cohan-- the movie evolved in its making into one of Warners' trademark "biopics" and a showcase for the singing and dancing talents of James Cagney.

This book includes the complete screenplay.

Mission to Moscow is a notorious classic among propaganda films produced in the United States. Never has another feature film been made with such explicit direction from the federal government, although the result failed to persuade every viewer.

Juarez was Warner Brothers' cinematic attempt to answer the major international question of the 1930s: would democracy or dictatorship prevail? Eager to further the foreign policy objectives of its friend Franklin Delano Roosevelt and equally willing to add to its prestigious and profitable biography series, the stuido set a record high budget and assembled special film stock, extensive scholarly research, a loose time schedule, a renowned director, and a stellar cast that included Paul Muni, Brian Aherne, and Bette Davis. The film was meant to be an ideologically clear-cut...

High Sierra (1941) is a highly successful Warner Brothers gangster film of special interest to film scholars, and aficionados. It represented a turning point in the nature of gangster film of the 1930s. It was the film that launched Humphrey Bogart to stardom.And it is representative of the concerted efforts of the very b est of Warners' talent of the era. In a period of serious reassessment of the American film, this revised shooting script, never before published, provides valuable primary data for that reassessment.

Among the countless gangster films produced by Hollywood, few are as haunting, complex, or ingeniously crafted as "White Heat" (1948). Students of film history and screen writing will appreciate this treatment--an engaging study of teh various artistic elements that turned what might have been just another gangster film into an innovative classic of the genre and a model of cooperative filmmaking at its best.
Crucial to "White Heat's" success, McGilligan stresses, was the rare manner in which every aspect of production coalesced: studio, script, cast, crew, and director.

Gold Diggers of 1933, a lavish and glittering showcase for Busby Berkeley's musical production talent, was designed and produced as a Depression tonic. As Berkeley said, "In an era of breadlines, Depression, and wars, I tried to help people get away from all the misery . . . to turn their minds away to something else. I wanted to make people happy, if only for an hour.
This book contains the full shooting script of Erwin Gelsey and James Seymour, based on the Avery Hopwood play of 1919, as well as the lyrics to the five songs of the film. Arthur Hove's introduction outlines the...