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"When BooBoo stabs Morris Boyle I am reading a news magazine that someone has smuggled into the wing."

Thus, the protagonist of this novella introduces us to prison, one of the several worlds he inhabits, worlds most of us would rather ignore but which inexorably, through what we see and hear and read and live on uncountable American streets, has become the one world we can no longer avoid. It seduces us with the voice of drugs and violence. Of the disenfranchised. Of those both at once outside and standing within the center of what no longer holds. It informs us of who we are today.

In his second novel, Judson Mitcham, with plain but elegant language, creates an emotional impact rivaled only by his critically acclaimed debut novel, The Sweet Everlasting (Georgia). Sabbath Creek is the story of Lewis Pope, a fourteen-year-old boy thrust into an adult world of heartache and brokenness. When his beautiful but distant mother takes him on an aimless journey through south Georgia, the cerebral and sensitive Lewis is forced to confront latent fears--scars left from the emotional abuse of an alcoholic father and the lack of comfort from a preoccupied...

Making art has always been 'costly' (money, time, political threats, survival fitness, ...). So why do we bother? It's all part of what prevents human brains (as opposed to those of animals and computers) from being terribly maladaptive.

The key lies in (Piaget's) constructivism. While we might intuit that meaning is conveyed via a medium/media, how then is art (e.g., the Mona Lisa) distinguished from artifact (e.g., a light bulb)? The book reconsiders the notions of 'intelligence' and 'communication' from a multidisciplinary array of discourses, ultimately proposing a...

In "The Sweet Everlasting," Judson Mitcham cuts through the moral ambiguities of life in the midcentury, rural South to show us the heart and soul of a good but flawed man.

Sharecropper's son, mill worker, and ex-convict--Ellis Burt surely knows adversity. For a brief and cherished time there was a woman, and then a child, too, who had been a kind of salvation to him. Then they were gone, leaving Ellis to carry on with the burden of what he had done to them, of the ruin he brought down upon them all.

In "The Sweet Everlasting," Ellis is seventy-four. Moving back and forth over his...