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This book proposes that the concept of meaning production can transcend the theoretical divide between the interpretive and explanatory stances found within film studies. Its central contention is the recognition of the need to construct process-oriented accounts of meaning to shift interpretive practice onto the very terrain on which causal explanations tend to operate. On this account, it is argued that such models of meaning production should approximate the best conceptions of social causality that have been advanced within social theory, and that such conceptions are to be found in the...