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Part human, part machine, the cyborg is the hero of an increasingly popular genre of American film and, as Janice H. Rushing and Thomas S. Frentz so provocatively suggest, a cultural icon emblematic of an emergent postmodern mythology. Using the cyborg film as a point of departure, Rushing and Frentz examine how we rework Western myths and initiation rites in the face of new technologies.
Through in-depth examinations of six representative films "Jaws, The Deer Hunter, The Manchurian Candidate, Blade Runner, The Terminator, " and "Terminator 2" Rushing and Frentz track the narrative's...