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Starting from the assumption that all theater is at least implicitly participatory, Professor Whitaker approaches thirteen plays, from Ibsen's Rosmersholm to Beckett's Endgame and Stoppard's Rosencrantz and Guildenstern Are Dead. He asks the reader to commit himself to a variety of points of view--those of witnesses, actors, directors, and characters--as a series of "critical fictions" lead him toward the experience of each play in performance.

The author supplies detailed readings of the plays in various modes. The styles of the chapters vary according to the...

Starting from the assumption that all theater is at least implicitly participatory, Professor Whitaker approaches thirteen plays, from Ibsen's Rosmersholm to Beckett's Endgame and Stoppard's Rosencrantz and Guildenstern Are Dead. He asks the reader to commit himself to a variety of points of view--those of witnesses, actors, directors, and characters--as a series of "critical fictions" lead him toward the experience of each play in performance.

The author supplies detailed readings of the plays in various modes. The styles of the chapters vary according to the...

New Year's Eve is the time to make a naughty resolution, so shed your inhibitions and indulge in this sultry collection of escapades from four of the hottest writers around.

In Brenda L. Thomas's "Every New Year," a shoot-out lands a respected doctor in the hospital with a bad case of amnesia, and in the care of a man too sexy to resist.

In "Whatever It Takes" by Tu-Shonda L. Whitaker, a sassy older woman tries to break off her steamy relationship with her best friend's twenty-three-year-old son, but he shows her he's man enough to...