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Thomas A. Bredehoft's Early English Metre is a reassessment of the metrical rules for English poetry from Beowulf to Layamon. Bredehoft offers a new account of many of the most puzzling features of Old English poetry - anacrusis, alliteration patterns, rhyme, and hypermetric verses - and further offers a clear account of late Old English verse as it descended from the classical verse as observed in Beowulf. He makes the surprising and controversial discovery that ?lfric's alliterative works are formally indistinguishable from late verse.

Discussing the early Middle...

Any scholar determined to provide the academic community with a comprehensive reading of the Anglo-Saxon Chronicles has set themselves a Herculean task. The Chronicles are a recording of historical events in England from the beginning of the Christian Era to 1154. The inspiration to compile and often translate to the vernacular brief entries from church annals, and then progressively longer historical accounts, poems and genealogies, is thought to come from Alfred, King of West Saxons (848-99) as part of his drive to revive learning and literature in England. After Alfred's death, scribes...

Authors, Audiences, and Old English Verse re-examines the Anglo-Saxon poetic tradition from the eighth to the eleventh centuries and reconsiders the significance of formulaic parallels and the nature of poetic authorship in Old English.

Offering a new vision of much of Old English literary history, Thomas A. Bredehoft traces a tradition of 'literate-formulaic' composition in the period and contends that many phrases conventionally considered oral formulas are in fact borrowings or quotations. His identification of previously unrecognized Old English poems and his innovative...