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A study of medieval monophonic music. The text focuses on its movement away from the concept of chants as products and towards the idea of chants as processes. The essays are loosely connected through their bearing on one or more of three themes: the role of orality in the transmission of chants circa 700-1400; varying degrees of stability or instability in the transmission of chant; and the role of the formula in the construction of chant.

This is a milestone publication in the study of medieval monophonic music. In its movement away from the concept of chants as products and toward the idea of chants as processes, it will markedly change accepted ways of thinking about this musical form.

This concise, clear reference gets straight to the important points in the history of music. With extended articles on major figures, movements, technical concepts, and explanations of standard symbols, abbreviations, and notations, Karp's text has been praised for its ease of use and unfailing accuracy. This edition features new illustrations and covers all musical periods: Medieval, Renaissance, Baroque, Classical, Romantic, and Modern.