Wyniki wyszukiwania:

This book explores the role of national theatres, national cultural centres, cultural policy, festivals, and the film industry as creative and cultural performances hubs for exercising soft power and cultural diplomacy. It shows how can existing cultural and non-cultural infrastructures, sometimes referred to as the Orange Economy, open opportunities for diplomacy and soft power; ways by which cultural performance and creative practice can be re-centered in post-colonial Africa and in post-global pandemic era; and existing structures that cultural performers, diplomats, administrators,...

This book identifies Nigerian theatre as a highly creative and useful tool for cultural and economic development. It moves beyond the usual discussion of theatre as entertainment to a dialogue that situates theatre as an essential tool for initiating public discourse for the advancement of society in general.