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Tina Chanter resolves a fundamental problem in film theory by negotiating a middle path between "gaze theory" approaches to film and spectator studies or cultural theory approaches that emphasize the position of the viewer and thereby take account of race, class, gender, and sexuality. Chanter argues that abjection is the unthought ground of fetishistic theories. If the feminine has been the privileged excluded other of psychoanalytic theory, fueled by the myth of castration and the logic of disavowal, when fetishism is taken up by race theory, or cultural theory, the multiple and fluid...

When Ruth Ardingly and her family make that first long drive up from the city in their grime-encrusted car and view The Well, they are enchanted by a jewel of a farm that appears to offer everything they need: an opportunity for...

Even those who take themselves to be breaking from tradition-from the metaphysical tradition of philosophy, from grand narratives, neoliberalism or Eurocentrism-can remain blindly attached to them. Art, Politics and Ranciere: Broken Perspectives provides an account of how works of art can, but do not necessarily, interrupt dominant narratives.

Inspired by Jacques Ranciere, Tina Chanter assumes his work as a starting point. She presents a rigorous and appreciative critique of Ranciere's story of aesthetics, paying close attention to gender and race. Along with the...

This volume of essays, all but one previously unpublished, investigates the question of Levinas's relationship to feminist thought. Levinas, known as the philosopher of the Other, was famously portrayed by Simone de Beauvoir as a patriarchal thinker who denigrated women by viewing them as the paradigmatic Other. Reconsideration of the validity of this interpretation of Levinas and exploration of what more positively can be derived from his thought for feminism are two of this volume's primary aims.

Levinas breaks with Heidegger's phenomenology by understanding the ethical relation to...

This volume of essays, all but one previously unpublished, investigates the question of Levinas's relationship to feminist thought. Levinas, known as the philosopher of the Other, was famously portrayed by Simone de Beauvoir as a patriarchal thinker who denigrated women by viewing them as the paradigmatic Other. Reconsideration of the validity of this interpretation of Levinas and exploration of what more positively can be derived from his thought for feminism are two of this volume's primary aims.

Levinas breaks with Heidegger's phenomenology by understanding the ethical relation to...