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This catalogue accompanied an exhibition at the Groeninge Museum, Bruges, which celebrated one of the greatest European artists of the late fourteenth century, Andre Beauneveu, apparently born in Valenciennes c. 1335. Active throughout the Southern Netherlands, his reputation grew swiftly and in 1364 he was commissioned by the King of France, Charles V, to create a group of royal tombs at St Denis. In the 1370s he oversaw another ambitious funerary project, for Louis de Male, Count of Flanders, at Courtrai, whilst continuing to undertake major civic commissions at Ypres, Mechelen and his home...

The 15th- or early 16th-century panels presented here are mostly from northern Europe, or at least within the zone of Netherlandish influence rather than Italian. They are all almost unknown, and certainly none of them have been subjected to modern techniques of investigation infrared, x-ray, micro-photography. What is important is their quality, even if some are difficult to attribute or can be associated only with other works by this or that master of ."

This title, dedicated to the memory of Caroline Villers, is the proceedings of a conference in London in 2005.

This book offers a wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, it examines everything from panel paintings to carved altarpieces.

While many little-known works are foregrounded, Susie Nash also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, by...