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This book focuses on an unexplored area of Edward Bond's writing. While different studies examine the violence present in his plays or his dramatic theory, questions around his powerful female characters have remained unsolved. None of the criticism has developed specifically the role of these women as speakers of their social context. The human condition that Bond depicts in his plays is not gender-oriented. From his early plays, Edward Bond has been considered misogynist, but this book presents the possibility to discover a different Bond as a writer on women with powerful voices. ...