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The title of our volume on interdisciplinary semiotics is situated in a geographical metaphor and points to the possibility ofuncovering meanings through shifting perspectives as well as to the possibility of understanding how these various modes ofmeaning are articulated and framed in particular cultural instances. Regardless of medium, semiotic rotations permit playbetween the surface and underlying levels of a communication, reveal the relationship between open and closed systems ofsignification, and modulate shades of meaning caught between the visible and invisible. Readerly play in...

This study examines tales from The Metamorphoses by the Roman poet Ovid (43 BC-18 AD) and from The Lais by the French poet Marie de France (fl. mid-to late twelfth century) to explore a paradox: how can a vibrant, complex, and timeless vision be conveyed in convention-informed and time-bound language? Marie plays against Ovid's tales to probe the dilemma, thereby echoing Ovid who does the same to the canonical literary monuments of his day. Both poets suggest that poetry can avoid the flattening effect of monumental canonizing not only by the creative use of literary echoes, but also by...

The title of our volume on interdisciplinary semiotics is situated in a geographical metaphor and points to the possibility ofuncovering meanings through shifting perspectives as well as to the possibility of understanding how these various modes ofmeaning are articulated and framed in particular cultural instances. Regardless of medium, semiotic rotations permit playbetween the surface and underlying levels of a communication, reveal the relationship between open and closed systems ofsignification, and modulate shades of meaning caught between the visible and invisible. Readerly play in...