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Is postdramatic theatre political and if so how? How does it relate to Brecht's ideas of political theatre, for example? How can we account for the relationship between aesthetics and politics in new forms of theatre, playwriting, and performance?

The chapters in this book discuss crucial aspects of the issues raised by the postdramatic turn in theatre in the late twentieth and early twenty-first century: the status of the audience and modes of spectatorship in postdramatic theatre; the political claims of postdramatic theatre; postdramatic theatre's ongoing relationship with the...

Brecht's operatic play produced with Hauptmann, Neher and Weill was first staged in 1930. The story is that three criminals create the city of Mahagonny. Drinking, gambling, prize-fights and similar activities are the sole occupation of the inhabitants, and money rules. Mahagonny is threatened by a hurricane at the end of Act 1, which despite much anticipation and causing much distress simply bypasses the city. In Act 2 following the hurricane nothing is forbidden and various scenes of debauchery occur. Jenny and Jim try to leave but Jim cannot pay his debts and is arrested. Another...