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While Tristan Tzara (1896-1963) is immediately recognisable as a figure within Dada and Surrealism, he has been almost entirely forgotten as a writer of verse. Seeking to reposition Tzara as a major European poet in his own right, Forcer's study represents the first book-length investigation of Tzara's life in poetry, which continued for nearly forty years after the Sept manifestes Dada . Tzara emerges as a powerful but hitherto neglected force within a French poetic tradition at present dominated by writers such as Apollinaire, Breton and Aragon.

The Dada movement, revered as perhaps the purest form of cultural subversion and provocation in 20th-century Europe, has been a victim of the readiness with which cultural historians have swallowed its own propaganda. Based on extensive close analysis of French-language Dada work in its original form, and offering English translations throughout, this major reappraisal looks at a broad range of media and topics -- including poetry, film, philosophy, and quantum physics -- in order to get beyond Dada's typecasting as avant-garde anti-hero. Work by women writers and other marginalized figures...