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Selected by CHOICE as Outstanding Academic Title 2004 in the Fine Arts"Rembrandt: Portraits in Print" is the first monograph devoted to Rembrandt's etched portraits of himself and his contemporaries. Between 1633 and 1665, Rembrandt etched less than two dozen formal portraits, yet this small body of work includes some of his most finely crafted and widely sought-after prints. Rembrandt depicted influential preachers of the Remonstrant, Reformed and Mennonite faiths as well as prominent citizens such as the tax administrator Jan Wtenbogaert, the wealthy connoisseur Jan Six, the physician...

This collection brings together art historians, museum professionals, conservators, and conservation scientists whose work involves Rembrandt van Rijn and associated artists such as Gerrit Dou, Jan Lievens, and Ferdinand Bol. The range of subjects considered is wide: from the presentation of convincing evidence that Rembrandt and his contemporary Frans Hals rubbed elbows in the Amsterdam workshop of Hendrick Uylenburgh to critical reassessments of the role of printmaking in Rembrandt's studio, his competition with Lievens as a landscape painter, his reputation as a collector, and much more....

Emotional intensity is a hallmark of European art in the Baroque era, and Dutch and Flemish art are no exception. NKJ volume 60 is the first collection of essays to examine this fascinating aspect of visual culture in the early modern Netherlands. Case studies explore both the representation of the passions in paintings and prints of the sixteenth and seventeenth centuries and the responses of contemporary viewers to works ranging from the vivid tronies (physiognomic studies) of Rembrandt to the dramatic hunting scenes of Peter Paul Rubens. In addition, several essays examine theoretical...