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for soprano solo and SATB unaccompanied In this innovative arrangement Stanley M. Hoffman takes Henry Purcell's most popular solo aria, the 'Lament' from his opera Dido and Aeneas, and reimagines it as a work for unaccompanied soprano solo and SATB choir, thus making a staple of the solo song repertoire available for choral performance. The chromatic passage that opens the piece is sung wordlessly by the bass section, and Hoffman's setting features imaginative interplay between chorus and soloist, sharing the well-known lyrics between them, and sensitive dynamic contrasts.

Exploring the politics of European integration, Michael Baun argues that the end of the Cold War and German unification have created a new set of geopolitical realities in Europe that have profoundly affected the nature and dynamics of European union. His primary focus is the high politics of European integration after 1989, especially the role of the Franco-German relationship in the Maastricht Treaty process.Acknowledging the important roots of the treaty in economic and institutional developments prior to 1989, Baun argues that Maastricht principally can be understood as a response by the...

Examines financial economic intermediation in Europe, Canada, and the United States since the seventeenth century.