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This book discusses what it means to "perform the State," what this action means in relation to the country of Iran and how these various performances are represented. The concept of the "State" as a modern phenomenon has had a powerful impact on the formation of the individual and collective, as well as on determining how political entities are perceived in their interactions with one another in the current global arena.

"Performing the State" refers to an individual (or a group of persons) who re-enacts rituals, ceremonies, customs, traditions and laws, or who dons certain guises,...

This book discusses what it means to "perform the State," what this action means in relation to the country of Iran and how these various performances are represented. The concept of the "State" as a modern phenomenon has had a powerful impact on the formation of the individual and collective, as well as on determining how political entities are perceived in their interactions with one another in the current global arena.

"Performing the State" refers to an individual (or a group of persons) who re-enacts rituals, ceremonies, customs, traditions and laws, or who dons certain guises,...

Nineteenth-century Iran was an ocularcentered society predicated on visuality and what was seen and unseen, and photographs became liminal sites of desire that maneuvered "betwixt and between" various social spaces public, private, seen, unseen, accessible, and forbidden thus mapping, graphing, and even transgressing those spaces, especially in light of increasing modernization and global contact during the nineteenth and early twentieth centuries. Of primary interest is how photographs negotiated and coded gender, sexuality, and desire, becoming strategies of empowerment, of domination,...

The historiography of early photography has scarcely examined Islamic countries in the Near and Middle East, although the new technique was adopted very quickly there by the 1840s. Which regional, local, and global aspects can be made evident? What role did autochthonous image and art traditions have, and which specific functions did photography meet since its introduction? This collective volume deals with examples from Iran, the Ottoman Empire, and the Arab lands and with the question of local specifics, or an "indigenous lens." The contributions broach the issues of regional histories...