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For almost a decade Peter Quezada, a prolific self-taught artist, painted murals and lettering on buildings and retaining walls in neighborhoods northeast of downtown Los Angeles. He refers to his work as a -graffiti deterrent- or a -substitute for graffiti, - and he targets sites that are favorites of taggers and gang graffiti writers. Often he enlists their assistance and designs his murals to appeal to these youths as well as to discourage them from participating in antisocial behavior.

Highlighting the interplay of contemporary life, mass-media images that confront the public,...

Since its origins in 1967, the Smithsonian Folklife Festival has gained worldwide recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Festival curators play a major role in interpreting the Festival's principles and shaping its practices.

Curatorial Conversations brings together for the first time in one volume the combined expertise of the Festival's curatorial staff--past and present--in examining the Center for Folklife and Cultural Heritage's representation practices and their critical...

Since its origins in 1967, the Smithsonian Folklife Festival has gained worldwide recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Festival curators play a major role in interpreting the Festival's principles and shaping its practices.

Curatorial Conversations brings together for the first time in one volume the combined expertise of the Festival's curatorial staff--past and present--in examining the Center for Folklife and Cultural Heritage's representation practices and their critical implications...