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In this major new work, philosophical sharpshooter Slavoj Žižek takes on the reigning ideology with a plea that we should re-appropriate several 'lost causes, ' and look for the kernel of truth in the 'totalitarian' politics of the past.

Examining Heidegger's seduction by fascism and Foucault's flirtation with the Iranian Revolution,...

These original contributions focus on Hegelian analysis and the transformative value of...

With a new introduction by the author

In this deliciously polemical work, a giant of cultural theory immerses himself in the ideas of a giant of French thought. In his inimical style, Zizek links Deleuze's work with both Oedipus and Hegel, figures from whom the French philosopher distanced himself. Zizek turns some Deleuzian concepts around in order to explore the 'organs without bodies' in such films as Fight Club and the works of Hitchcock. Finally, he attacks what he sees as the 'radical chic' Deleuzians, arguing that such projects turn Deleuze into an ideologist of...

The Art of the Ridiculous Sublime is first of all the detailed reading of David Lynch's The Lost Highway, based on the premises of Lacanian psychoanalysis. Lynch's unique universe of the "ridiculous sublime" is interpreted as a simultaneous playful staging and traversing of the fundamental ideological fantasies that sustain our late capitalist society.

A master of reversals, Zizek invites the reader to reexamine with him easy assumptions, received opinion, and current critical trends, as well as pose tough questions about the ways in which we understand our world and culture....

The concept of disparity has long been a topic of obsession and argument for philosophers but Slavoj Zizek would argue that what disparity and negativity could mean, might mean and should mean for us and our lives has never been more hotly debated.

Disparities explores contemporary 'negative' philosophies from Catherine Malabou's plasticity, Julia Kristeva's abjection and Robert Pippin's self-consciousness to the God of negative theology, new realisms and post-humanism and draws a radical line under them. Instead of establishing a dialogue with these other ideas of...

The Parallax View is Slavoj Zizek's most substantial theoretical work to appear in many years; Zizek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Zizek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked by an "impossible short circuit" of levels that can never meet. From this consideration of parallax, Zizek begins a rehabilitation of dialectical materialism.

Modes of parallax can be seen in different...