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One of the major writers of the twentieth century, Samuel Beckett created an extraordinarily original and influential body of prose and drama in both French and English. Born in Dublin in 1906, Beckett abandoned a promising academic career to spend most of his life in Paris, evolving his characteristically mordant treatment of boredom, bodily decrepitude and the absurdity of human existence. The critical success of En attendant Godot in 1953 (staged in London as Waiting for Godot in 1955) transformed him from a relatively obscure experimental writer into a world-renowned dramatist and...

A Tongue Not Mine examines the significance of bilingualism, translation, and self-translation in the work of Samuel Beckett. After a mid-career adoption of French as a language of composition, Beckett continued to write in his native English as well as French, and to translate his work systematically, though often unfaithfully, between the two. This study focuses on how Beckett's self-translation, rather than being an ancillary, essentially practical task of linguistic transfer, emerges as an integral component of his work's exploration of uncertainty and exile, and its critique of the myth...