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I kept telling myself I wanted something more out of my life, something brighter. I had all these ideas in my head. Thing is, I had to go down so low just to try to lift my life up a little bit higher.

Simon Stephens's exciting new adaptation of the twentieth-century classic Kasimir and Karoline is a dark, political and hilarious play that sets two young lovers in the throes of a break-up against the hypnotic whirl and bright lights of a funfair.

The Funfair takes us on a ride through the loops, dips and highs of one night at a fairground, exploring a...

I drank three glasses of scotch and ginger ale before we'd even cleared Coney Island. I didn't want to come home. It was then that I decided to write you these letters.

On a crisp winter day in New York, Willem gets the call. It's Mum. Pauli's died. Come back to Amsterdam.

An unforgettable homecoming to an estranged family, a lost love, unsettling sex and an unexamined life.

One of Stephens's most poetic plays to date, Song from Far Away received its UK premiere at the Young Vic, London, on 2 September 2015.

If you go, I don't think you should come back.

On a startlingly bright autumn night in 2006, Harper Regan walked away from her home, her husband and daughter, and kept walking. She told nobody that she was going. She told nobody where she was going. She put everything she ever built at risk. For two lost days and nights, until it looked as though her entire life might unravel, she didn't turn back.

From Uxbridge to Stockport to Manchester and back again, Harper Regan navigates the UK, exploring family, love and delusion. It received its world premiere at...

Four plays inspired by and originating on the European stage from one of Britain's most important playwrights.

Three Kingdoms was presented at Teater NO99 in Tallinn, Estonia on 17 September 2011, before opening at the Munich Kammerspiele, Germany, on 15 October 2011. 'An inconsolable mood of dread, abandon, violence and suspicion lurks beneath the show's skin of arty insouciance, and at times the script attains a lyrical pitch of accusation against the West that quite overrides the flippancy. There's something of value here.' Daily...

Stockport 1988-2002. Rachel Keats is growing up in town she doesn't like. Abandoned by her mother, her family life is torn to tatters as she is left to bring up her younger brother, who, increasingly is drawn to the excitement out on the streets. When her new partner starts to abuse her, and those she loves leave her behind, will she stay or will she find the strength to make her own way in the world?

Praise for Herons: "filled with a sense of life's miraculous potential. It deals with damaged characters yet is imbued with a poetic lyricism" (Guardian)
Port is published to tie in...

We're just the least lucky girls in all the world. All three of us. You and me and Ruthy have been given a big sad spoon of bad luck.

A girl growing up in a battered part of Stockport in a battered time at the end of the Seventies falls in love with the man who will break her heart into a thousand pieces.

Blindsided is a surprising and romantic play about warped love, jealousy, and damaged lives, spanning from the beginnings of the Thatcher Government in 1979 to the birth of New Labour in 1997.

This edition features an introduction by Dr Jacqueline...

This third collection of plays by Simon Stephens showcases the development of one of the most exciting and impressive theatre talents of recent years. The range of plays in this volume displays a tough sensibility and a courage to confront the more unsettling challenges of our times.

Harper Regan follows a woman's road trip through the heart of England in a violent and comic exploration of the moralities of sex and death. Quietly harrowing, this play is a barometer for our times exploring dark secrets and familial estrangement.

Marine Parade is a musical about...

This first collection from the Pearson Award-winning playwright Simon Stephens brings together four of his earliest plays. Since Bluebird in 1998, Stephens has gained recognition for humane plays that display a sharp observation and compassionate response to the lives of ordinary people in urban locations.

Seasonal new play by London's most prolific and evocative playwright.

People don't mourn out of love, they mourn out of fear and the fear makes them stop.

Michael, Billy and Giuseppe are biding their time before Christmas away from their loved ones. When Charlie comes in with his cello, and a fear of stepping outside the door because he's been told today is the day that he'll die, they know that this'll be a long night.

Set over the course of one night in a bar in East London, Simon Stephens' play is a slow-burning, evocative play about selling up, growing old and...

This second collection of plays by Simon Stephens, winner of the 2005 Olivier Award for Best New Play for On the Shore of the Wide World, perfectly showcases the development of one of the most exciting and impressive theatre talents of recent years. The range of plays in this volume displays a tough sensibility and a courage to confront the more unsettling challenges of our times.
One Minute, first produced in 2003 and revived in London in 2008, has an uncomfortable resonance as it follows five characters variously affected by the disappearance of Daisy, an 11-year-old...

Danny returns from Basra to a foreign England and a different kind of battle. He visits an old flame, buys a gun and goes on a blistering road trip through the new home front.
'I don't blame the war. The war was alright. I miss it. It's just you come back to this.'
Written during the London bombings of 2005, Motortown is a fierce, violent and controversial response to the anti-war movement - and to the war itself. Chaotic and complex, powerful and provocative, Simon Stephen's new play portrays a volatile and morally insecure world.
Motortown premieres at the Royal Court Theatre on...

A Thousand Stars Explode in the Sky is a refreshingly subtle and compassionate vision of the world on the edge of apocalypse. Within a cosmological context, the focus is on a single family, their relations with each other and their unreconciled regrets, soon to become permanent. With an ensemble of strong, engaging characters, there are knotty, realistic family dynamics and a palimpsest of recent family history. The characters and dialogue are naturalistic but the serious themes are elucidated and alleviated with humor and quirky, surreal touches.

The play represents a unique...