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This is a collection of new essays opening introspective space for further exploration into constructions of "We the People..." during the mid-to-late nineteenth century. It does so by interrogating intersections of pro-enslavement and anti-enslavement expressions of cultural nationalism, investigating assorted expressions of partisanship within dramatic literature and live performance (broadly defined), and by probing effects of armed conflict on notions of "nation," "theatre," "performance," and other markers of communal identity. Enacting Nationhood is distinctive in that the essays...

Uses short, original plays as catalysts for discussing basic theatrical concepts, dramatic forms and genres, styles of production, thematic concerns, critical theory, and dramatic criticism. This book uses these short form plays as instructional tools with the pedagogical underpinnings needed to prepare students to successfully interact with full-length scripts.