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Drawing on her concept of 'paratextual life-writing', Sarah Herbe examines more than 600 single-author poetry books published in England between 1563 and 1777. She shows that the paratext of these books constitutes a form of multi-perspective and multi-generic life-writing, that it presents a forum for critical discussions of the form and content of life-writing, and that paratextual life-writing forges a close connection between the author's life and their work, which serves commercial as well as interpretive functions and is instrumental in establishing the person of the poet as prime...