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For this book, Santu Mofokeng collected private photographs which urban black working and middle-class families in South Africa commissioned between 1890 and 1950, a time when the government was creating policies towards those designated as natives. Painterly in style, the images evoke the artifices of Victorian photography. Some of them are fiction, a creation of the artist in terms of setting, props, clothing and pose, yet there is no evidence of coercion. We believe these images, as they reveal something about how these people imagined themselves. In this work Mofokeng analyses the...

In 1988 Santu Mofokeng (born 1956) joined the staff of the African Studies Institute at the University of the Witwatersrand as a documentary photographer and researcher. In this position, he began to record the lives of tenant laborers in the unremarkable township of Bloemhof, an agricultural town in Northern South Africa. Over the next several years, Mofokeng amassed what could be considered the core of his larger body of work: a set of interconnected photo-essays centering on the Maine family, with whom he stayed. Highly distilled yet immersive, Books Two through Four of the series Santu...