Wyniki wyszukiwania:

Sleater-Kinney's 1997 album "Dig Me Out" is built on Corin Tucker and Carrie Brownstein's competing guitars, Janet Weiss's muscular rhythms, and layered vocals that teeter between an urgent, banshee-like vibrato and a lower accompaniment. "Dig Me Out" was the band's third studio album, but the first one written and recoded with Weiss. It inaugurated Sleater-Kinney into a lineup that would span its two-decade career.

This 33 1/3 follows the narrative of "Dig Me Out" from its inception in Olympia to its recording in Seattle and its reception across the United States. It's anchored in a...

Michael Asher doesn't make typical installations. Instead, he extracts his art from the institutions in which it is shown, culling it from collections, histories, or museums' own walls. Since the late 1960s, Asher has been creating situations that have not only taught us about the conditions and contexts of contemporary art, but have worked to define it.

In Situation Aesthetics, Kirsi Peltomaki examines Asher's practice by analyzing the social situations that the artist constructs in his work for viewers, participants, and institutional representatives (including gallery...