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Despite the incredible diversity in Brahms's scherzo-type movements, there has been no comprehensive consideration of this aspect of his oeuvre. Professor Ryan McClelland provides an in-depth study of these movements that also contributes significantly to an understanding of Brahms's compositional language and his creative dialogue with musical traditions. McClelland especially highlights the role of rhythmic-metric design in Brahms's music and its relationship to expressive meaning. In Brahms's scherzo-type movements, McClelland traces transformations of primary thematic material,...

The Cambridge Companion to Rhythm examines rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners. It surveys influential writings on the topic and considers the subject across a wide range of genres and cultures.