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This book presents a compelling case for a paradigmatic shift in the analysis of television drama production that recentres questions of power, control and sustainability.

Contemporary British Television Crime Drama examines one of the medium s most popular genres and places it within its historical and industrial context. The television crime drama has proved itself capable of numerous generic reinventions and continues to enjoy some of the highest viewing figures. Crime drama offers audiences stories of right and wrong, moral authority asserted and resisted, and professionals and criminals, doing so in ways that are often highly entertaining, innovative, and thought provoking. In examining the appeal of this highly dynamic genre, this volume explores how it...