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In this provocative retelling of the story of political corruption in the modern period, Ruth A. Miller argues that narratives of political corruption rely upon an explicitly pornographic rhetoric and have been instrumental in carving out lawless or exceptional space. Drawing upon an extensive and wide-ranging literature, she examines corruption, the erotic, and legal exceptionalism as they appear in media representations of Saddam Hussein as "corrupt leader," nineteenth-century political cartoons, Pier Pasolini's film Salo, Ernst Kantorowicz's theorization of the body politic, Giorgio...

Biopolitics and posthumanism have been passe theories in the academy for a while now, standing on the unfashionable side of the fault line between biology and liberal thought. These days, if people invoke them, they do so a bit apologetically. But, as Ruth Miller argues, we should not be so quick to relegate these terms to the scholarly dustbin. This is because they can help to explain an increasingly important (and contested) influence in modern democratic politics-that of nostalgia. Nostalgia is another somewhat embarrassing concept for the academy. It is that wistful sense of longing for...

Biopolitics and posthumanism have been passe theories in the academy for a while now, standing on the unfashionable side of the fault line between biology and liberal thought. These days, if people invoke them, they do so a bit apologetically. But, as Ruth Miller argues, we should not be so quick to relegate these terms to the scholarly dustbin. This is because they can help to explain an increasingly important (and contested) influence in modern democratic politics-that of nostalgia. Nostalgia is another somewhat embarrassing concept for the academy. It is that wistful sense of longing for...