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Die Kunst der Bildanalyse ist so alt wie die Kunst selbst. Arnheims Anleitung zum Sehen ist aber immer noch so jung wie bei ihrem ersten Erscheinen 1954. Kaum ein Buch hat Generationen von Lesern so einfach und so grundlich in die Welt der Kunst eingefuhrt. Kaum ein Buch schlug so seine Leser von Anfang an in ihren Bann. Woran liegt dies?

Arnheim ist in seinen Schriften ein immer verstandlicher Vermittler. An einfachen Beispielen beleuchtet er behutsam und kritisch das Wechselspiel von Form und Farbe, Raum und Licht, Bewegung und Gleichgewicht. Am Ende der Lekture wird der Leser...

Rudolf Arnheim has spent a lifetime analyzing the basic psychological principles that make works of visual art meaningful, stirring, indispensable, and lasting. But recent fashionable attitudes and theories about art, he argues, are undermining the foundation of artistic achievement itself.

The essays collected in this volume are written in his familiar, careful, and solidly supported manner, but under present circumstances they amount to a call to arms....

One of the world s leading film theorists, Rudolf Arnheim has been well known to readers of English since the publication of his classic Film as Art in 1957. This is the first English translation of another of his important books, Kritiken und Aufsatze zum Film, which collects both film reviews and theoretical essays, most of them written between 1925 and 1940.
As a young man in 1920s Berlin, Arnheim began writing about film for the satirical magazine Das Stachelschwein. In 1928, as the Weimar Republic began to crumble, he joined the intellectual weekly Die Weltbuhne as film...

One of the world s leading film theorists, Rudolf Arnheim has been well known to readers of English since the publication of his classic Film as Art in 1957. This is the first English translation of another of his important books, "Kritiken und Aufsatze zum Film," which collects both film reviews and theoretical essays, most of them written between 1925 and 1940.
As a young man in 1920s Berlin, Arnheim began writing about film for the satirical magazine Das Stachelschwein. In 1928, as the Weimar Republic began to crumble, he joined the intellectual weekly Die Weltbuhne as film critic...