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In Fantasies of Self-Mourning Ruben Borg describes the formal features of a posthuman, cyborgian imaginary at work in modernism. The book’s central claim is that modernism invents the posthuman as a way to think through the contradictions of its historical moment. Borg develops a posthumanist critique of the concept of organic life based on comparative readings of Pirandello, Woolf, Beckett, and Flann O’Brien, alongside discussions of Alfred Hitchcock, Chris Marker, Béla Tarr, Ridley Scott and Mamoru Oshii. The argument draws together a cluster of modernist narratives that contemplate...

By examining the relation between time and processes of figuration in James Joyce's later work, this ground-breaking study identifies his attempt to engage with the philosophical problem of describing time's characteristic movement whilst acknowledging the impossibility of reducing this movement to anything that can be observed, represented or even experienced. Ruben Borg argues that this problem informs the narrative structure, imagery and complex rhetorical strategies in Finnegan's Wake and Ulysses. Drawing on the work of Deleuze and Derrida, Borg challenges the assumption that Joycean time...

Recent years have witnessed a series of shifts in the reception of Brian O'Nolan's work, with the publication of collected short stories and dramatic texts and a systematic critical reappraisal of once marginal titles in the author's canon.

Employing a wide range of critical perspectives and new comparative contexts, Flann O Brien: Contesting Legacies breaks new ground in Brian O Nolan scholarship (he wrote his novels under the name of Flann O Brien) by testing a number of popular commonplaces about this Irish (post-) Modernist author. Challenging the narrative that Flann O Brien wrote two good novels and then retired to the inferior medium of journalism (as Myles na gCopaleen), the collection engages with overlooked shorter, theatrical, and non-fiction works and columns ( John Duffy s Brother, The Martyr s Crown, Two in...