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George Lukas and other leading filmmakers acknowledge their indebtedness to mythographic scholarship on archetypes. In his new study, author Rodney Farnsworth identifies a pattern of filmmakers' obsessions with archetypical rituals centered on sacrifice and the family in films made between 1977 and 1983, a period of political upheaval on both sides of the Atlantic. Combining a strong historical reading of the films in a sociopolitical context and utilizing Queer Theory as a framework for his arguments, Farnsworth offers a close examination of key films of the period, including works by...