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Nineteenth-century Americans celebrated nature through many artistic forms, including natural-history writing, landscape painting, landscape design theory, and transcendental philosophy. Although we tend to associate these movements with the nation s dawning environmental consciousness, "Passions for Nature" demonstrates that they instead alienated Americans from the physical environment even as they seemed to draw people to it. Rather than see these expressions of passion for nature as initiating environmental awareness, this study reveals how they contributed to a culture that remains...

Collected here are detailed and diverse essays, some that examine "Rural Hours," Susan Fenimore Cooper's most famous work, and others that help establish Cooper as a major practitioner and theorist of American nature writing and as a socially engaged artist in many other genres. These essays discuss Cooper's uses and manipulations of various literary conventions, such as the picturesque, the literary village sketch, and domestic fiction, and illuminate her positions on conservation, religion, and woman's place in society.

The engaging collection is divided into four sections. The first...

"Rural Hours" (1850) is one of the earliest pieces of American nature writing and the first by a woman. This new edition, the only printing of the full original text since 1876, restores passages excised by the author for an 1887 edition.

The daughter of the novelist James Fenimore Cooper, Susan Fenimore Cooper (1813-1894), uses narratives and descriptions of her walks and excursions to reveal her ideal society as a rural one, carefully poised between the receding wilderness and a looming industrialization. She theorizes that knowledge of place causes people to approach the land humbly...