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This book examines the representation of gender in selected recent performances of early modern tragedy. In the process, it elaborates a model of critically engaged spectatorship that will allow for the complexity and potential of such cultural productions, and shows how encounters between contemporary actors and early modern playtexts--often dismissed as merely conservative - can in fact help to uncover the instability and historical contingency of gender norms past and present.

A collection of contemporary Canadian plays. Includes Gwen Pharis Ringwood's Still Stands the House, Trey Anthony's 'da Kink in my hair, Tara Beagan's Miss Julie: Sheh'mah, Madeleine Blais-Dahlem's La Maculees Tain, Hillar Liitoja's The Last Supper, selections from the Impromptu Splendour series, Theatre Replacement's BIOBOXES, and Zuppa Theatre's Penny Dreadful.