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Winter Passages is Robert Brustein's nineteenth book of criticism. It includes his considerations of culture and politics over the past four years of American life, demonstrating how the imperfections of the government and economy have plunged the country into an artistic winter in which there is a troubling lack of support for, and understanding of, America's arts and artists.

In a section on "Cultural Passages," Brustein includes chapters on compromised theatre institutions, auteur productions, the American musical, generational idiosyncrasies, and China's growing theatre...

Wide-ranging, discerning essays and reviews in which Mr. Brustein finds that the theatre has been quietly reinventing the nature of its art.

According to Robert Brustein, the theater should be taken seriously as one of the fine arts, but it should also be considered a means to reflect on our world, times, and culture from a different perspective. However, this presents a great challenge--the masses must come to appreciate the theater as a means of leisure, but also one of learning. If Word Plays tickles your funny bone as well as touches your mind, then Brustein will have achieved his goal.

Word Plays, a collection of Brustein's articles, satires, and skits, is his attempt to both entertain and educate...

According to Robert Brustein, the theater should be taken seriously as one of the fine arts, but it should also be considered a means to reflect on our world, times, and culture from a different perspective. However, this presents a great challenge--the masses must come to appreciate the theater as a means of leisure, but also one of learning. If Word Plays tickles your funny bone as well as touches your mind, then Brustein will have achieved his goal.

Word Plays, a collection of Brustein's articles, satires, and skits, is his attempt to both entertain and educate...

Using his extraordinary grasp of the theatre, Robert Brustein, Dean of the Yale Drama School and prize-winning critic, examines campus turmoil, radicalism versus liberalism, the fate of the free university, and the new revolutionary life style. Brustein sees American society as profoundly decadent, and those radicals from whom creative and rational alternatives should come as being increasingly dominated by sentimentality and false emotionalism. His observations are often controversial, always timely and interesting.

Winner of Five Obies, now back in print after fifteen years, a stage adaptation of classic stories by Hawthorne and Melville

In the three plays in The Old Glory--Endecott and the Red Cross; My Kinsman, Major Molineux; and Benito Cereno--the most powerful figure in postwar American poetry confronts the most haunting American fiction writers of the nineteenth century. The result is a mythical, nightmare history of three centuries in America. In Endecott and the Red Cross, Hawthorne's Puritan governor, horrified by his colony's high living, declares, "Everything in...