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Documentary as Exorcism is an interdisciplinary study that builds upon the insights of postcolonial studies, critical race theory, theological and religious studies and media and film studies to showcase the role of documentary film as a system of signifying capable of registering complex theological ideas while pursuing the authentic aims of documentary filmmaking.

Robert Beckford marries the concepts of 'theology as visual practice' and 'theology as political engagement' to develop a new mode of documentary filmmaking that embeds emancipation from oppression in its...

Robert Beckford explores the dialogue between two central institutions in African Caribbean life: the church and the dancehall. He highlights how Dub - one of the central features of dancehall culture - can be mobilized as a framework for re-evaluating theology, taking apart doctrine and reconstructing it under the influence of a guiding theme.

Engaging with the social and cultural heritage that informs Christian African Caribbean culture, including the influence of slavery, Revival Christianity and working class Jamaican life, Black theology and music ranging from post-war...

Documentary as Exorcism is an interdisciplinary study that builds upon the insights of postcolonial studies, critical race theory, theological and religious studies and media and film studies to showcase the role of documentary film as a system of signifying capable of registering complex theological ideas while pursuing the authentic aims of documentary filmmaking.

Robert Beckford marries the concepts of 'theology as visual practice' and 'theology as political engagement' to develop a new mode of documentary filmmaking that embeds emancipation from oppression in its...

Robert Beckford explores the dialogue between two central institutions in African Caribbean life: the church and the dancehall. He highlights how Dub - one of the central features of dancehall culture - can be mobilized as a framework for re-evaluating theology, taking apart doctrine and reconstructing it under the influence of a guiding theme.

Engaging with the social and cultural heritage that informs Christian African Caribbean culture, including the influence of slavery, Revival Christianity and working class Jamaican life, Black theology and music ranging from post-war...

Azemia is a satirical attack on what William Beckford perceived as characteristically feminine novel-writing. First published in 1797, under the pseudonym Jacquetta Agneta Mariana Jenks, it joined its companion volume Modern Novel Writing, or, The Elegant Enthusiast (1796) in ridiculing the sentimental and sensational novels of the day, and especially the productions of William Lanes Minerva Press. However, it is also a biting political satire, attacking the Tory party and its leader, William Pitt the Younger, for the war with France, repressive legislation, and neglect of...