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The first full-length study of sensationalist and melodramatic elements in Hardy's novels uses six of his texts to demonstrate the ways in which Hardy uses the melodramatic mode to advance his critique of established Victorian cultural beliefs through the employment of non-realistic plot devices and sensational 'excess.'

The first full-length study of sensationalist and melodramatic elements in Hardy's novels uses six of his texts to demonstrate the ways in which Hardy uses the melodramatic mode to advance his critique of established Victorian cultural beliefs through the employment of non-realistic plot devices and sensational 'excess.'

This international collection of essays celebrates the 200th anniversary of Wilkie Collins's birth by exploring his multi-faceted impact on nineteenth-century culture. Examining his lesser-known and shorter works alongside the great novels, this volume provides new perspectives for both students and admirers fascinated by his complex fictions.

Thomas Hardy (1840-1928), the Victorian novelist, poet, and short-story author, wrote of the struggles and unhappiness caused by the constraints of social convention, particularly in relation to religion, class, education, and marriage. Hardy's first published novel, Desperate Remedies (1871), a piece of sensation fiction that encompasses illegitimacy, murder, blackmail, impersonation, and bigamy, was originally published anonymously. Written while, in Hardy's own words, he was "feeling his way to a method," it nonetheless contains early examples of the kinds of extreme situations and...