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This text defends a special focus on Jesus in theistic faith, whilst denying his divinity. Having limited the genuine choice in Christology to orthodoxy or unitarianism, it argues first for the prior improbability of an incarnation, examining and dismissing possible justifications.

The plays of María Martínez Sierra were popular in Spain, South America and in translation on Broadway and London's West End in the first half of the 20th century but they were thought to be written by her husband, the celebrated director and playwright Gregorio Martínez Sierra. After his death, the authorship of his work was revealed to be that of María, making her one of the most important playwrights of her time. This edited collection features three plays by María Martínez Sierra, translated by Helen and Harley Granville-Barker, along with an introduction by Patricia O’Connor,...