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Rzeczy żyją – zdaniem Remo Bodei fakt ten nie ulega wątpliwości. Mówi nam o tym nie tylko nasze codzienne doświadczenie, ale także zrodzone zeń literatura i sztuka. Nie trzeba więc zatem pytać czy rzeczy żyją, ale należy zadać sobie pytanie: jak żyją? Rozstrzygnięcie tej kwestii jest istotne nie tylko dlatego, że pozwala nam lepiej rozumieć je same, ale także – a może przede wszystkim – dlatego, że dzięki temu jesteśmy w stanie pełniej uświadomić sobie naszą własną kondycję. Ta bowiem – jak uczy nas filozofia już od starożytności, o czym wszak...

From prehistoric stone tools, to machines, to computers, things have traveled a long road along with human beings. Changing with the times, places, and methods of their production, emerging from diverse histories, and enveloped in multiple layers of meaning, things embody ideas, emotions, and symbols of which we are often unaware.

The meaning of "thing" is richer than that of "object," which is something that is manipulated with indifference or according to impersonal technical procedures. Things also differ from merchandise, objects that can be sold or exchanged or seen...

From prehistoric stone tools, to machines, to computers, things have traveled a long road along with human beings. Changing with the times, places, and methods of their production, emerging from diverse histories, and enveloped in multiple layers of meaning, things embody ideas, emotions, and symbols of which we are often unaware.

The meaning of "thing" is richer than that of "object," which is something that is manipulated with indifference or according to impersonal technical procedures. Things also differ from merchandise, objects that can be sold or exchanged or seen...

The passions have long been condemned as the creator of disturbance and the purveyor of the temporary loss of reason, but, as Remo Bodei argues in Geometry of the Passions, we must abandon the perception that order and disorder are in a constant state of collision.