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Those who have read Orpheus in the Bronx, Reginald Shepherd's previous collection of essays about the act of creating poetry, and those who take on the task, can immediately understand why it was a national finalist for a prestigious National Book Critics Circle Award. Shepherd was candid and disarming, practical and funny, able to mix thoughts about the Transformers with meditations on the realities of growing up poor.

This is Reginald Shepherd's final opportunity to speak his mind about the craft he loved, the art of using words to express the soul and the wit of every...

This collection of poems catches the light between lyric and myth. Reginald Shepherd's first book Some are Drowning won the 1993 Associated Writing Programs' Award Series in Poetry. He has also received a 1993 Discovery/The Nation Award and the 1994-1995 Amy Lowell Poetry Travelling Scholarship.

"Fata Morgana" mingles personal experience, history, mythology, politics, and natural science to explore the relationships of conception and perception, the self finding its way through a physical and social world not of its own making, but changing the world by its presence.

This collection of poems enacts the struggle of a young black gay man in his search for identity. The poet's aim is to rescue some portion of the drowned and the drowning. Shepherd is the winner of the 1993 Associated Writing Programs' Award Series in Poetry.

Written in the spaces between otherness and brotherhood, Otherhood combines traditional lyricism with experimentalism, passionate engagement with cold-eyed investigation, and personal details with a depersonalized distance to create a new poetic synthesis.

"Orpheus in the Bronx not only extols the freedom language affords us; it embodies that freedom, enacting poetry's greatest gift---the power to recognize ourselves as something other than what we are. These bracing arguments were written by a poet who sings."
---James Longenbach

A highly acute writer, scholar, editor, and critic, Reginald Shepherd brings to his work the sensibilities of a classicist and a contemporary theorist, an inheritor of the American high modernist canon, and a poet drawing and playing on popular culture, while simultaneously venturing into formal...

The poems of Reginald Shepherd s third book move among, mix, and manufacture stories, seeking to redefine the meaning of mythology. From the ruined representatives of Greek divinity (broken statues and fragmented stories), and the dazzling extravagances of predecessors like Hart Crane and Wallace Stevens, to the fleeting promises of popular music and the laconic demigods of the contemporary gay subculture, they sketch maps of a world in which desire may find a restless home. But desire leads the maps astray and maps mislead desire. The poems poems both enact language s powers to create a...

"Orpheus in the Bronx not only extols the freedom language affords us; it embodies that freedom, enacting poetry's greatest gift---the power to recognize ourselves as something other than what we are. These bracing arguments were written by a poet who sings."
---James Longenbach

A highly acute writer, scholar, editor, and critic, Reginald Shepherd brings to his work the sensibilities of a classicist and a contemporary theorist, an inheritor of the American high modernist canon, and a poet drawing and playing on popular culture, while simultaneously venturing into formal...

The late poet Reginald Shepherd corresponded for two years before his death with nature writer Alan Contreras. Song After All offers a new window into Shepherd's thoughts on writing, music, love and, ultimately, dealing with cancer. Wry, funny, painful, illuminating and glorious, this unique compilation of 120 personal messages, plus blog posts, poetic commentary and essays is a moving and entertaining memorial. Also contains essays by Shepherd's partner Robert Philen and by Evan Eisenberg, and includes the complete text of Fernando Pessoa's poem Antinous, written in English in 1918 and...