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Orson Welles, a self-conscious storyteller who often invited his audience to question the methods and veracity of what they see and hear. He was that rare magician who both pulled the wool over our eyes, for our delight, and unravelled the wool before our eyes, encouraging us to ponder the nature of the magic itself. Many of the characters in Welles's movies can also be seen as magicians of a sort, creating impressions intended to manipulate other characters, or even themselves, in one direction or another. But unlike Welles, few of them voluntarily expose their tricks to the scrutiny...

Horror films come in a wide variety of styles and subject matter. The films examined in this study are three of the most intimate explorations of terror in the genre. Intimate in terms of settings (small towns and an isolated motel) and in the emotional links between the characters and the terrors they face. In Psycho, Norman Bates is a darker reflection of Marion Crane and Sam Loomis. They share frustrations, fears and compulsions, albeit at different levels of intensity. In The Birds, Melanie Daniels and her new acquaintances in Bodega Bay share emotional problems which...

There are six of them: heroines, heroes, wise elders, mad scientists, servants and monsters. One of the most fascinating and also endearing aspects of horror films is how they use these six clearly defined character types to portray good and evil. This was particularly true of the classics of the genre, where actors often appeared in the same type of role in many different films. The development of the archetypal characters reflected the way the genre reacted to social changes of the time. As the Great Depression yielded to the uncertainty of World War II, flawed but noble mad scientists such...