Wyniki wyszukiwania:

Built on these contradictions, the cinema is the real, material space in which one is moved by the spectacle of shadows. Thus, for Ranciere, film is the perpetually...

Film Fables traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries.

Dissensus: On Politics and Aesthetics brings together some of Jacques Ranciere's most recent writings on art and politics to show the critical potential of two of his most important concepts: the aesthetics of politics and the politics of aesthetics.

In this fascinating collection, Ranciere engages in a radical critique of some of his major contemporaries on questions of art and politics: Gilles Deleuze, Antonio Negri, Giorgio Agamben, Alain Badiou and Jacques Derrida. The essays show how Ranciere's ideas can be used to analyse contemporary trends in both art and politics,...

In this concise and illuminating study, Jacques Ranciere, one of the world's most popular and influential living philosophers, examines the life and work of the celebrated nineteenth-century French poet and critic, Stephane Mallarme.

Ranciere presents Mallarme as neither an aesthete in need of rare essences and unheard-of words, nor the silent and nocturnal thinker of some poem too pure to be written. Mallarme is the contemporary of a republic that is seeking out forms of civic worship to replace the pomp of religions and kings. If his writing is difficult, it is because it complies...

But aesthetics is not a discourse. It is an historical regime of the identification of art. This regime is paradoxical, because it founds the autonomy of art only at the price of suppressing the boundaries separating its practices and its objects from those of everyday life and of making free aesthetic play into the promise of a new revolution.

Aesthetics is not a politics by accident but in essence. But...

"Music is the brute that shows.
It is the avowal of materials,
And stutters between its clanging of things."

How should one think this musical groove of the poem whose back and forth motion shuffles the material of ordinary language and revives the frozen speech of old chants? This question by renowned French thinker Jacques Ranciere is the entry point for his earnest and careful reading of one of France's most singular and important contemporary poets. For Ranciere, Philippe Beck sets himself the task of a poetry after poetry whereby Beck re-writes and transforms the...

Jacques Ranciere's first major work, Althusser's Lesson appeared in 1974, just as the energies of May 68 were losing ground to the calls for a return to order.

Ranciere's analysis of Althusserian Marxism unfolds against this background: what is the relationship between the return to order and the enthusiasm which greeted the publication of Althusser's Reply to John Lewis in 1973? How to explain the rehabilitation of a philosophy that had been declared 'dead and buried on the barricades of May 68'? What had changed? The answer to this question takes the form of a...